Bringing the beauty of nature into your home through hand-crafted heirlooms and botanical treasures
Ready to Ship Pottery
This series of greeting cards comes from images in my Field Journal, “Bearing Witness,” in which I have recorded the flora and fauna I see around me, whether that be on my walks around Albemarle County, Virginia, or trips to England to visit my son who is studying archeology at the University of York, or trips to my family’s cottage in Central Wisconsin. I note the common and Latin names of the bird, plant, bug, or animal I’ve drawn, whether it’s native or invasive, some tidbits about the species, and sometimes a note on the weather.
This greeting card is made from my March 28-30 entry in my Bearing Witness journal. Inside blank. Lovely moss green envelope.
5” x 7”
This series of greeting cards comes from images in my Field Journal, “Bearing Witness,” in which I have recorded the flora and fauna I see around me, whether that be on my walks around Albemarle County, Virginia, or trips to England to visit my son who is studying archeology at the University of York, or trips to my family’s cottage in Central Wisconsin. I note the common and Latin names of the bird, plant, bug, or animal I’ve drawn, whether it’s native or invasive, some tidbits about the species, and sometimes a note on the weather.
This greeting card is made from my Oct 1-7 entry in my Bearing Witness journal. Inside blank. Lovely moss green envelope.
5” x 7”
This series of greeting cards comes from images in my Field Journal, “Bearing Witness,” in which I have recorded the flora and fauna I see around me, whether that be on my walks around Albemarle County, Virginia, or trips to England to visit my son who is studying archeology at the University of York, or trips to my family’s cottage in Central Wisconsin. I note the common and Latin names of the bird, plant, bug, or animal I’ve drawn, whether it’s native or invasive, some tidbits about the species, and sometimes a note on the weather.
This greeting card is made from my Oct 1-7 entry in my Bearing Witness journal. Inside blank. Lovely moss green envelope.
5” x 7”
This series of greeting cards comes from images in my Field Journal, “Bearing Witness,” in which I have recorded the flora and fauna I see around me, whether that be on my walks around Albemarle County, Virginia, or trips to England to visit my son who is studying archeology at the University of York, or trips to my family’s cottage in Central Wisconsin. I note the common and Latin names of the bird, plant, bug, or animal I’ve drawn, whether it’s native or invasive, some tidbits about the species, and sometimes a note on the weather.
This greeting card is made from my July 8-12 entry in my Bearing Witness journal. Inside blank. Lovely moss green envelope.
5” x 7”
This series of greeting cards comes from images in my Field Journal, “Bearing Witness,” in which I have recorded the flora and fauna I see around me, whether that be on my walks around Albemarle County, Virginia, or trips to England to visit my son who is studying archeology at the University of York, or trips to my family’s cottage in Central Wisconsin. I note the common and Latin names of the bird, plant, bug, or animal I’ve drawn, whether it’s native or invasive, some tidbits about the species, and sometimes a note on the weather.
This greeting card is made from my July 13-18 entry in my Bearing Witness journal. Inside blank. Lovely moss green envelope.
5” x 7”
This series of greeting cards comes from images in my Field Journal, “Bearing Witness,” in which I have recorded the flora and fauna I see around me, whether that be on my walks around Albemarle County, Virginia, or trips to England to visit my son who is studying archeology at the University of York, or trips to my family’s cottage in Central Wisconsin. I note the common and Latin names of the bird, plant, bug, or animal I’ve drawn, whether it’s native or invasive, some tidbits about the species, and sometimes a note on the weather.
This greeting card is made from my March 16-19 entry in my Bearing Witness journal. Inside blank. Lovely moss green envelope.
5” x 7”
This series of greeting cards comes from images in my Field Journal, “Bearing Witness,” in which I have recorded the flora and fauna I see around me, whether that be on my walks around Albemarle County, Virginia, or trips to England to visit my son who is studying archeology at the University of York, or trips to my family’s cottage in Central Wisconsin. I note the common and Latin names of the bird, plant, bug, or animal I’ve drawn, whether it’s native or invasive, some tidbits about the species, and sometimes a note on the weather.
This greeting card is made from my June 19-21 entry in my Bearing Witness journal. Inside blank. Lovely moss green envelope.
5” x 7”
This series of greeting cards comes from images in my Field Journal, “Bearing Witness,” in which I have recorded the flora and fauna I see around me, whether that be on my walks around Albemarle County, Virginia, or trips to England to visit my son who is studying archeology at the University of York, or trips to my family’s cottage in Central Wisconsin. I note the common and Latin names of the bird, plant, bug, or animal I’ve drawn, whether it’s native or invasive, some tidbits about the species, and sometimes a note on the weather.
This greeting card is made from my Jan 31- Feb 2 entry in my Bearing Witness journal. Inside blank. Lovely moss green envelope.
5” x 7”
This series of greeting cards comes from images in my Field Journal, “Bearing Witness,” in which I have recorded the flora and fauna I see around me, whether that be on my walks around Albemarle County, Virginia, or trips to England to visit my son who is studying archeology at the University of York, or trips to my family’s cottage in Central Wisconsin. I note the common and Latin names of the bird, plant, bug, or animal I’ve drawn, whether it’s native or invasive, some tidbits about the species, and sometimes a note on the weather.
This greeting card is made from my Oct 24-31 entry in my Bearing Witness journal. Inside blank. Lovely moss green envelope.
5” x 7”
New Prints: Bearing Witness Volume 1
Bearing Witness is the title I chose for a project I began at the beginning of Trump’s second term in office. I kept a field-notes style notebook, in which I recorded what I saw in the natural world around me as well as monitoring the news of our democracy under attack. It was both healing and disturbing to keep up this practice daily, but it was my way of bearing witness to the fragility and beauty of both nature and our political reality.
Often, I found it difficult to choose which bits of the bountiful natural world I wanted to bring attention to in any given period. It was even more difficult to choose which bits of the news to highlight. The juxtaposition is meant to be jarring and thought-provoking.
Each page is packed with information, including the common and Latin names of each species, the date I saw it, and sometimes some notes on the location where I saw it. On the top right are the coordinates of where I was during the period covered; the top left indicates the dates covered, and these vary in length. Also included on each page is the date, source , and authors of the news clips I’ve included.
I followed a few of my own “rules.” I had to “see” or “hear” a species to include it. Wherever possible, I used my own photographs as references for the drawings, but I sometimes had to resort to finding reference images on-line. For the most part, these pages bear witness to the flora and fauna of Albemarle County, Virginia, but I also travelled to Wisconsin and to the UK during the past year. Though the flora and fauna from those pages reflect what I saw in those locations, the news bits stayed focused on what was going in in the U.S. I may have made a few errors in species identification, and for that I apologize.
All images: Copyright 2026 by Suzanne Crane.
11” x 14” giclee print, signed and numbered in an edition of 50, on archival paper.
Jan. 21-23 depicts a chickadee, squirrel, and bluebirds.
Bearing Witness is the title I chose for a project I began at the beginning of Trump’s second term in office. I kept a field-notes style notebook, in which I recorded what I saw in the natural world around me as well as monitoring the news of our democracy under attack. It was both healing and disturbing to keep up this practice daily, but it was my way of bearing witness to the fragility and beauty of both nature and our political reality.
Often, I found it difficult to choose which bits of the bountiful natural world I wanted to bring attention to in any given period. It was even more difficult to choose which bits of the news to highlight. The juxtaposition is meant to be jarring and thought-provoking.
Each page is packed with information, including the common and Latin names of each species, the date I saw it, and sometimes some notes on the location where I saw it. On the top right are the coordinates of where I was during the period covered; the top left indicates the dates covered, and these vary in length. Also included on each page is the date, source , and authors of the news clips I’ve included.
I followed a few of my own “rules.” I had to “see” or “hear” a species to include it. Wherever possible, I used my own photographs as references for the drawings, but I sometimes had to resort to finding reference images on-line. For the most part, these pages bear witness to the flora and fauna of Albemarle County, Virginia, but I also travelled to Wisconsin and to the UK during the past year. Though the flora and fauna from those pages reflect what I saw in those locations, the news bits stayed focused on what was going in in the U.S. I may have made a few errors in species identification, and for that I apologize.
All images: Copyright 2026 by Suzanne Crane.
11” x 14” giclee print, signed and numbered in an edition of 50, on archival paper.
Jan. 21-23 depicts a chickadee, squirrel, and bluebirds.
Bearing Witness is the title I chose for a project I began at the beginning of Trump’s second term in office. I kept a field-notes style notebook, in which I recorded what I saw in the natural world around me as well as monitoring the news of our democracy under attack. It was both healing and disturbing to keep up this practice daily, but it was my way of bearing witness to the fragility and beauty of both nature and our political reality.
Often, I found it difficult to choose which bits of the bountiful natural world I wanted to bring attention to in any given period. It was even more difficult to choose which bits of the news to highlight. The juxtaposition is meant to be jarring and thought-provoking.
Each page is packed with information, including the common and Latin names of each species, the date I saw it, and sometimes some notes on the location where I saw it. On the top right are the coordinates of where I was during the period covered; the top left indicates the dates covered, and these vary in length. Also included on each page is the date, source , and authors of the news clips I’ve included.
I followed a few of my own “rules.” I had to “see” or “hear” a species to include it. Wherever possible, I used my own photographs as references for the drawings, but I sometimes had to resort to finding reference images on-line. For the most part, these pages bear witness to the flora and fauna of Albemarle County, Virginia, but I also travelled to Wisconsin and to the UK during the past year. Though the flora and fauna from those pages reflect what I saw in those locations, the news bits stayed focused on what was going in in the U.S. I may have made a few errors in species identification, and for that I apologize.
All images: Copyright 2026 by Suzanne Crane.
11” x 14” giclee print, signed and numbered in an edition of 50, on archival paper.
Jan. 21-23 depicts a ruby-crowned kinglet, tufted titmouse, and bluejays.
Bearing Witness is the title I chose for a project I began at the beginning of Trump’s second term in office. I kept a field-notes style notebook, in which I recorded what I saw in the natural world around me as well as monitoring the news of our democracy under attack. It was both healing and disturbing to keep up this practice daily, but it was my way of bearing witness to the fragility and beauty of both nature and our political reality.
Often, I found it difficult to choose which bits of the bountiful natural world I wanted to bring attention to in any given period. It was even more difficult to choose which bits of the news to highlight. The juxtaposition is meant to be jarring and thought-provoking.
Each page is packed with information, including the common and Latin names of each species, the date I saw it, and sometimes some notes on the location where I saw it. On the top right are the coordinates of where I was during the period covered; the top left indicates the dates covered, and these vary in length. Also included on each page is the date, source , and authors of the news clips I’ve included.
I followed a few of my own “rules.” I had to “see” or “hear” a species to include it. Wherever possible, I used my own photographs as references for the drawings, but I sometimes had to resort to finding reference images on-line. For the most part, these pages bear witness to the flora and fauna of Albemarle County, Virginia, but I also travelled to Wisconsin and to the UK during the past year. Though the flora and fauna from those pages reflect what I saw in those locations, the news bits stayed focused on what was going in in the U.S. I may have made a few errors in species identification, and for that I apologize.
All images: Copyright 2026 by Suzanne Crane.
11” x 14” giclee print, signed and numbered in an edition of 50, on archival paper.
Jan 31-Feb 2, 2025 depicts a white-tailed deer, and white-throated sparrow, a chipping sparrow, and rhododendron
Bearing Witness is the title I chose for a project I began at the beginning of Trump’s second term in office. I kept a field-notes style notebook, in which I recorded what I saw in the natural world around me as well as monitoring the news of our democracy under attack. It was both healing and disturbing to keep up this practice daily, but it was my way of bearing witness to the fragility and beauty of both nature and our political reality.
Often, I found it difficult to choose which bits of the bountiful natural world I wanted to bring attention to in any given period. It was even more difficult to choose which bits of the news to highlight. The juxtaposition is meant to be jarring and thought-provoking.
Each page is packed with information, including the common and Latin names of each species, the date I saw it, and sometimes some notes on the location where I saw it. On the top right are the coordinates of where I was during the period covered; the top left indicates the dates covered, and these vary in length. Also included on each page is the date, source , and authors of the news clips I’ve included.
I followed a few of my own “rules.” I had to “see” or “hear” a species to include it. Wherever possible, I used my own photographs as references for the drawings, but I sometimes had to resort to finding reference images on-line. For the most part, these pages bear witness to the flora and fauna of Albemarle County, Virginia, but I also travelled to Wisconsin and to the UK during the past year. Though the flora and fauna from those pages reflect what I saw in those locations, the news bits stayed focused on what was going in in the U.S. I may have made a few errors in species identification, and for that I apologize.
All images: Copyright 2026 by Suzanne Crane.
11” x 14” giclee print, signed and numbered in an edition of 50, on archival paper.
Feb 3-5, 2025 depicts a great blue heron, a Carolina wren, and Virginia pine
Bearing Witness is the title I chose for a project I began at the beginning of Trump’s second term in office. I kept a field-notes style notebook, in which I recorded what I saw in the natural world around me as well as monitoring the news of our democracy under attack. It was both healing and disturbing to keep up this practice daily, but it was my way of bearing witness to the fragility and beauty of both nature and our political reality.
Often, I found it difficult to choose which bits of the bountiful natural world I wanted to bring attention to in any given period. It was even more difficult to choose which bits of the news to highlight. The juxtaposition is meant to be jarring and thought-provoking.
Each page is packed with information, including the common and Latin names of each species, the date I saw it, and sometimes some notes on the location where I saw it. On the top right are the coordinates of where I was during the period covered; the top left indicates the dates covered, and these vary in length. Also included on each page is the date, source , and authors of the news clips I’ve included.
I followed a few of my own “rules.” I had to “see” or “hear” a species to include it. Wherever possible, I used my own photographs as references for the drawings, but I sometimes had to resort to finding reference images on-line. For the most part, these pages bear witness to the flora and fauna of Albemarle County, Virginia, but I also travelled to Wisconsin and to the UK during the past year. Though the flora and fauna from those pages reflect what I saw in those locations, the news bits stayed focused on what was going in in the U.S. I may have made a few errors in species identification, and for that I apologize.
All images: Copyright 2026 by Suzanne Crane.
11” x 14” giclee print, signed and numbered in an edition of 50, on archival paper.
Feb 6-8, 2025 depicts a Northern cardinal, a dark-eyed junco, and cedar waxwings
Bearing Witness is the title I chose for a project I began at the beginning of Trump’s second term in office. I kept a field-notes style notebook, in which I recorded what I saw in the natural world around me as well as monitoring the news of our democracy under attack. It was both healing and disturbing to keep up this practice daily, but it was my way of bearing witness to the fragility and beauty of both nature and our political reality.
Often, I found it difficult to choose which bits of the bountiful natural world I wanted to bring attention to in any given period. It was even more difficult to choose which bits of the news to highlight. The juxtaposition is meant to be jarring and thought-provoking.
Each page is packed with information, including the common and Latin names of each species, the date I saw it, and sometimes some notes on the location where I saw it. On the top right are the coordinates of where I was during the period covered; the top left indicates the dates covered, and these vary in length. Also included on each page is the date, source , and authors of the news clips I’ve included.
I followed a few of my own “rules.” I had to “see” or “hear” a species to include it. Wherever possible, I used my own photographs as references for the drawings, but I sometimes had to resort to finding reference images on-line. For the most part, these pages bear witness to the flora and fauna of Albemarle County, Virginia, but I also travelled to Wisconsin and to the UK during the past year. Though the flora and fauna from those pages reflect what I saw in those locations, the news bits stayed focused on what was going in in the U.S. I may have made a few errors in species identification, and for that I apologize.
All images: Copyright 2026 by Suzanne Crane.
11” x 14” giclee print, signed and numbered in an edition of 50, on archival paper.
Feb 9-11, 2025 depicts a hairy woodpecker and an Eastern cottontail
Bearing Witness is the title I chose for a project I began at the beginning of Trump’s second term in office. I kept a field-notes style notebook, in which I recorded what I saw in the natural world around me as well as monitoring the news of our democracy under attack. It was both healing and disturbing to keep up this practice daily, but it was my way of bearing witness to the fragility and beauty of both nature and our political reality.
Often, I found it difficult to choose which bits of the bountiful natural world I wanted to bring attention to in any given period. It was even more difficult to choose which bits of the news to highlight. The juxtaposition is meant to be jarring and thought-provoking.
Each page is packed with information, including the common and Latin names of each species, the date I saw it, and sometimes some notes on the location where I saw it. On the top right are the coordinates of where I was during the period covered; the top left indicates the dates covered, and these vary in length. Also included on each page is the date, source , and authors of the news clips I’ve included.
I followed a few of my own “rules.” I had to “see” or “hear” a species to include it. Wherever possible, I used my own photographs as references for the drawings, but I sometimes had to resort to finding reference images on-line. For the most part, these pages bear witness to the flora and fauna of Albemarle County, Virginia, but I also travelled to Wisconsin and to the UK during the past year. Though the flora and fauna from those pages reflect what I saw in those locations, the news bits stayed focused on what was going in in the U.S. I may have made a few errors in species identification, and for that I apologize.
All images: Copyright 2026 by Suzanne Crane.
11” x 14” giclee print, signed and numbered in an edition of 50, on archival paper.
Feb 12-17, 2025 depicts a Virginia opossum, a North American river otter, and a brown thrasher
This series of greeting cards comes from images in my Field Journal, “Bearing Witness,” in which I have recorded the flora and fauna I see around me, whether that be on my walks around Albemarle County, Virginia, or trips to England to visit my son who is studying archeology at the University of York, or trips to my family’s cottage in Central Wisconsin. I note the common and Latin names of the bird, plant, bug, or animal I’ve drawn, whether it’s native or invasive, some tidbits about the species, and sometimes a note on the weather.
This greeting card is made from my Aug 1-9 entry in my Bearing Witness journal. Inside blank. Lovely moss green envelope.
5” x 7”